Mid-August, when publishers begin to wipe the Ambre Solaire off their iPads and think about their autumn list. The Grand Duchess of Nowhere is scheduled for publication on October 2nd. Is that good or bad? I have no idea. There’s probably some algorithm for working out your best chance of a major review in The Times but as I’m not consulted about pub dates I’ve never worried about them. Until today.
Any writer of historical fiction has to decide where to position themselves language-wise. I have never dared venture further back than the 18th century and even then I only permitted one ‘La!’ to escape (or should that be ‘scape??) from a maiden’s lips. I still wonder if it was a mistake. I’m already slightly regretting the use of ‘maiden’ in the preceding sentence.
But anyway, let’s talk about ‘ye’. Ever wondered where it came from? Wonder no more. In olden times, that is to say before them Normans invaded us and inflicted words like hors d’oeuvre upon us, the ‘th’ sound was represented in writing with a runic sign called ‘thorn’. Here it is.
When I was younger and wasn’t so aware of time’s winged chariot forcing me onto the hard shoulder I would persevere with books I didn’t really like. I’d bought it so I was determined to finish it, as though some omniscient Library Monitor was waiting to stamp my card. Not any more. Let’s face it, there are some books that don’t deserve more than an hour of anyone’s time. Perhaps I’ve written some of them. If so I have every sympathy with any reader who consigns it to the bag of stuff intended for the church fete.
I don’t really like talking about money. I don’t even like thinking about it, which is perhaps one of the reasons I ended up in this profession. You might say I was saved from total penury by my inability to write poetry. But anyway, I was very happy to see two other writers going public on the M word recently: Val McDermid and Joanne Harris, both excellent and successful authors have spoken up on behalf of those of us lower down the food chain.
There’s a thing women’s magazines have started doing. Where they would formerly have commissioned an article from a writer whose work they like they now go trawling. Let’s say they’ve decided they want to run a feature on Living With a Competitive Sister. They send out a request to every publicist in the land. Do you have anyone who’d be interested in writing this?
Let’s talk about similes. I’ve discovered that I have, if not an allergy certainly a sub-clinical sensitivity to them. Dog dander, sulphites, and now similes. The sulphites are a particular burden because I love pickled onions and Mavrodaphne wine. Although not in the same mouthful.
Similes are much harder to avoid. If you read fiction - I try not to but sometimes you just gotta - they’re all over the place like…. like pictures of people called Kardashian.
This morning I slayed (slew?) an elephant. Not a real one, you understand. I like elephants, though I acknowledge they don’t make good neighbours. Uprooting trees, trampling crops and generally setting themselves up for an ASBO. And they look so cute. But I’m talking about distant elephants, those things we agree to because they’re months and months away and then every time we open the diary they’ve grown bigger and more threatening.
I’ve been invited to speak at The Lady Literary Lunch on September 9th and unlike Miss Otis I am able. You can reserve your seat right here
No pushing, eye-poking or stampeding, please.
It’s been a funny old week. We went down to Kerry for a few days, making the most of our Senior Citizen free travel passes before the Irish government decides to withdraw that generous concession. But I took with me two pieces of work: the page proofs of The Grand Duchess of Nowhere which required immediate attention and my research notes for the new book. My mind, you might say, was definitely on work in hand. Also a nice seafood lunch in Dingle. I was therefore thrown for a minute when I received an email from my publisher congratulating me on publication day. Then I got it. They meant the mass market edition of The Liar’s Daughter.
Copyright © 2014 Laurie Graham